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The Singer-Songwriter Collection

Various Artists

Rounder, 2002

 


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Reviewed by Mark Gallo

 

The Singer Songwriter Collection, part of Rounder's exhaustive Heritage series, presents 17 cuts representing many of the most important "folk" singers of our time. This is meat-and-potatoes for Rounder, perhaps the most eclectic record label on the planet. Though they have released just about every kind of music imaginable in their 30-plus year history, tellers of tales and troubadours of every stripe have been at the core of what the folks in Cambridge do best. Indeed, their initial 1971 release was a folk music record. Not everyone who records for them, including those assembled here, will be recognizable to even the most educated of ears, though most are well established and highly esteemed musical poets.

Cheryl Wheeler opens with a gorgeous "Howl At The Moon" and David Olney closes the collection with "Caterpillar" more than an hour later. Between are some of the most expressive and evocative songwriters practicing the craft. The legendary Utah Phillips offers the eerie and sad "Enola Gay," and Mary McCaslin's "Young Westley" from 1973 paints a word story as vivid as its musical accompaniment is full and well orchestrated. Christine Lavin's finely meshed humor and beautiful voice offer "Ain't Love Grand," and Bill Morrisey, whose voice has probably never been described as beautiful, delivers a starkly magnificent "She's That Kind of Mystery."

I'm particularly fond of Carrie Newcomber's work on "The Moon Over Tuscon," a song that benefits from a great hook and her marvelously husky vocals. I also recommend The Gathering of Spirits , her latest on Philo. Her audience grows by bounds for obvious reason.

Patty Larkin, who can hardly be called a "folk" singer anymore, remains a first rate singer songwriter, as is adequately displayed on the 1990 version of "Metal Drums," included on The Singer Songwriter Collection and recorded live in Cambridge.

Tanya Savory's "Big Town" is a dusty tale of a disappearing landscape, and Nancy Griffith's classic "Love at the Five & Dime" may be more compelling now than when it was first heard in 1985. Hers is one of the great voices in American music. Ray Wylie Hubbard's "Without Love We're Just Wastin' Time" is reminiscent of the best of Rodney Crowell. Bill Staines has a fine voice that suits his storytelling style. And so it goes. These are an impressive collective of poets and observers of the human condition. Without singer-songwriters we might have fewer musicians keeping us honest. This is the truth. Sometimes warm, sometimes stark, it speaks to life in these semi-United States better than any talking head or newspaper opinion-maker ever could. This is the truth. | June 2003

 

Mark Gallo is a long-time freelance music journalist whose byline has appeared in over 30 publications in the past 25 years. He has also been a DJ, publicist and archivist/researcher. When not writing about music he is a social worker

 

 

Tracks
1: Howl At The Moon-Cheryl Wheeler
2: Weightless-Ellis Paul
3: Young Westley-Mary McCaslin
4: She's That Kind of Mystery: Bill Morrissey
5: Ain't Love Grand-Christine Lavin
6: The Moon Over Tucson-Carrie Newcomer
7: Enola Gay-Utah Phillips
8: Big Town-Tanya Savory
9: Metal Drums-Patty Larkin
10: Icarus By Night-Vance Gilbert
11: Without Love (We're Just Wastin' Time)-Ray Wylie Hubbard
12: Love At The Five And Dime-Nanci Griffith
13: Tramps And Hawkers-Jim Ringer
14: Alimentar Mi Alma-Kimberly M'Carver
15: Spirit Song-Bill Staines
16: I'm Still Here-Lynn Miles
17: Caterpillar-David Olney

 

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