The two DVDs feature one extra disc each, filled
with behind-the-scenes documentaries, filmmaker
commentaries, photograph libraries and much more.
They're superb packages for superb movies. To miss
either would be the real disaster.
These three films couldn't seem more different.
Yet they're also -- intriguingly -- cut from the
same cloth. The theme of star-crossed lovers and
ill-fated friends binds them in unexpected
ways.
Jarhead tries to make war both
fascinating and repulsive at the same moment. As
alluring as a train wreck, pointing its camera on
the horror, futility, comedy, characters and
occasionally stunning imagery of war.
Released last winter -- and recently on DVD --
National Treasure stars Nicolas Cage as Benjamin
Franklin Gates, a sort of modern-day Indiana Jones,
a man steeped in history, in the intricacies of
puzzles and the wonder of ancient buried
treasure.
On A Clear Day is one beautiful film.
Photographed by Harry Stradling, the images are
crisp, with deep color and a fine attention paid to
Barbra Streisand, the film's star.
Aladdin and Mulan, for all their
entertainment value and their DVD extras, should be
remembered as the works of high art they are,
examples of the "old style" that should live
forever.
The China Syndrome benefited from a
real-life accident that happened within days of the
film's opening, the Three Mile Island disaster.
What happened there was pretty much what could have
happened in the movie, which made the movie all the
more terrifying.
Sex and the City was, from the outset,
one of those must-see shows that grew more lustrous
with age. Like The Mary Tyler Moore Show
three decades ago, Sex and the City was
about a girl and her friends, all trying to make
their way in the big city.
Purple Rain is one of those films that
goes a long way to defining its generation. Though
marred by a sometimes simplistic script, it remains
a stellar piece of entertainment and a lasting
testament to the often jaw-dropping talent of the
artist who will forever be known as Prince.
The Manchurian Candidate is the kind of
movie one studies in a university film course. It's
entertainment, but it's also literature: a layered,
carefully assembled time capsule.
What can we learn today from French director
Jean-Pierre Melville's 1971 film Le Cercle
Rouge? One aspect is Melville's attention and
respect for detail. His films possess a rare poetic
quality that enlightens even the most bare and
mundane subjects.
Angels in America triumphs because it
shows what's possible in the world. The message is
optimistic, even hopeful. The newly released DVD of
director Mike Nichols' cable extravaganza has
raised new interest in Kushner's classic.
What does Kill Bill, Volume 2 show? You
might think Volume 1 was just a lucky break;
but it's too good for that. On the other hand,
Tarantino's treatment of Volume 2 is
puzzling. It has none of the panache, style, and
wit of the earlier film.
Remakes are an interesting sub-genre. Hollywood
certainly loves them: Why make something new when
you can make something old (and proven) in a new
way?
More than a magician, Copperfield is a showman
in the classic mold. He's not content to just get
up and do his tricks. Rather, he augments the magic
with genuine showmanship and seems to be as amazed
as his audience that these things actually
work.
Tim Burton has made a career of telling us
fables. From his earliest movies to his most
recent, Burton has taken his audiences on journeys
that no other director would dare to, in ways that
no other director seems to know how to do.
To finally have Schindler's List on DVD
is a major event for those who care deeply for
film. It is the last of the director's works to
appear in this archival format for all to share for
decades to come.
Alien and Planet of the Apes
launched massively successful series. The value of
the sequels aside, the original films are brilliant
works of science fiction.
Perhaps, in the end, these movies aren't about
religion at all, or even faith. Perhaps they're
about the idea, the belief, that stories are the
most important thing we have. The stories we pass
on to one another tell us less about the objects in
the tales, and more about those who tell them.
Nothing even approaches the sophistication of
the work of the key members of the team at Warner
Brothers. They didn't make cartoons so much as
classic comedies. They were the Pixar of their day:
brilliant filmmakers whose chosen medium was
animation.
It isn't too long ago that the kind of scenario
Black Sunday depicts was unthinkable.
Unfortunately, we now know better. And this sad
fact turns this unforgettable political thriller
into a truly terrifying cautionary tale.
If you've never seen Paper Moon, add it
to your list. It doesn't make many (if any) best-of
lists, but it's a unique movie made in a unique
time in Hollywood, when character and vision were
more important than stars and effects.
Choices are important on any film, but they're
really key on a Bond film. This time, the director
was terrific and the script was tight, but even
with all the references to other 007 movies, this
felt like just another action film.
While All That Jazz and Chicago
weren't anything alike, both are "funny, shocking,
and intensely creative" films. And our reviewer
points out more commonalties than might at first
meet the eye.
The Fame DVD includes commentaries by
Alan Parker and much of the film's cast,
featurettes about the film and the actual High
School of the Performing Arts, and the trailer.
It's a great package.
Whether you care more for the extended version
or the original, Cinema Paradiso is worth
watching simply because it's a movie that
celebrates the joy of watching movies.
Pedro Almodovar's Talk To Her is a
wonderful blend of calm passion and vibrant
emotion, telling the tale of two men brought
together by loneliness and a longing for the love
of their fallen women of choice.
Signs, for all its flaws, is the third
great film in a row from M. Night Shyamalan.
There's no filmmaker in Hollywood who has a voice
anywhere close to his.
From the first strains of the Bond Theme in 1962
to the somewhat strained overuse of it in 2002, the
music has defined not just 007, but a whole
generation.
Way back when, a young comic artist named Stan
Lee thought up Spider-Man. Though no one thought
the idea was worthwhile, Lee stuck to his guns. In
the decades since, Lee's hero has become a
legend.
The Laramie Project was the opening night
feature presentation at the 2002 Sundance Film
Festival, and it was broadcast on HBO soon after.
The newly-released DVD includes the film in
widescreen format, two featurettes, a director
commentary track and a making-of documentary.
Taken together, these films are an eye-opening
look at all the reasons there ever was a zeitgeist
that surrounded John Travolta. And they're a time
capsule of a when the most important thing was
figuring out who we were...and not wondering if
we'd actually make it back from vacation alive.
Victor/Victoria is one of those rare
films that simply has to be seen -- and heard.
Everything about it is first-rate, from the
screenplay to the songs, from the direction to the
performances; if the actors hadn't already been
stars, their work here would have made them so.
Soundtracks/Retro The
Magic Show
DVD & Original Broadway cast
CD
A breathtaking original cast recording and a
marginal video recreation commemorate the mid-1970s
Broadway classic with varying degrees of
success.
Contributing editor Tony Buchsbaum looks at the
music and magic of Sir Andrew Lloyd Webber. From
Jesus Christ: Superstar to Cats and
Joseph and the Amazing Technicolor Dreamcoat,
Sir Andrew has becomethe"wunderkind
musical theater composer of our time."
Although contemporary adaptations of classics
don't always work, this Count of Monte
Cristo is vibrant, vital and smart. It's a
more-than-worthwhile addition to the growing DVD
collection.
Fiddler on the Roof is celebrating
30 years on film. That anniversary is being
celebrated on both DVD and CD, with the release of
spiffed up editions of the film and its celebrated
musical score.